The Battle for Rome’s Treasures
For Italians, the collapse of a 16th-century wall on Rome’s Palatine Hill was symbolic. Blaming the 2005 cave-in on budget cuts by the center-right Berlusconi government, many felt that the nation’s inability to protect its heritage signaled that the country too was crumbling. That era may be over now, but the practice of exploiting Rome’s cultural heritage for political gain is not.
Just this week Rome’s mayor, Walter Veltroni, and Italy’s vice premier and culture minister Francesco Rutelli gave journalists a sneak preview of the latest in a string of newly unveiled ancient discoveries on the Palatine Hill: four frescoed rooms in the 1st-century B.C. palace belonging to Augustus, who later became Rome’s first emperor. The rooms have been restored to perfection and will go on view to the public next March.
Last month Veltroni and Rutelli unveiled another gem on the Palatine Hill: the “Lupercale,” the ancient grotto where, legend has it, a she-wolf nursed Rome’s founder, Romulus, and his twin brother, Remus. The showing of the Lupercale delighted Italians with the suggestion that the legend might be true. But while the romantics were studying the mythology, the cynics were asking questions about just why the finds were being shown off at that time. The grotto, after all, was discovered last January, during the restoration of Augustus’s palace and the iconic collapsed wall. Back then Irene Iacopi, the archeologist in charge of the Palatine Hill, said she discovered the cavern, which is covered with frescoes, niches and seashells, after inserting a 52-foot probe into the ground. So why did it take almost a year for the authorities to make a public announcement about the find?
