After you practice for years and get to Carnegie Hall, it’s almost better to move music stands than actually play the piano.

Depending on wattage, a star pianist can receive $20,000 a night at the 118-year-old hall, meaning he or she would have to perform at least 27 times to match the income of Dennis O’Connell, who oversees props at the New York concert hall.

O’Connell made $530,044 in salary and benefits during the fiscal year that ended in June 2008. The four other members of the full-time stage crew — two carpenters and two electricians — had an average income of $430,543 during the same period, according to Carnegie Hall’s tax return.

At Carnegie Hall, which has featured on its three stages such varied musicians as Duke Ellington, Bob Dylan and the Berlin Philharmonic, only Artistic and Executive Director Clive Gillinson makes more than the stagehands.

Gillinson earned $946,581 in salary and benefits in the fiscal year that ended in June 2008. Chief Financial Officer Richard Matlaga made $352,139, while General Manager Anna Weber received $341,542.

The stagehands benefit from a strong union: Local One of the International Alliance of Theatrical Stage Employees demonstrated its clout in November 2007 when its members walked off their Broadway jobs and closed 26 shows for almost three weeks. The strike ended after stagehands and producers agreed to a five-year contract that both sides called a compromise.

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